Original title of the artwork: Frauentorso und Zwiegespräch / Woman's torso and dialogue
Oswald Oberhuber was primarily inspired by the 1950s. New York City became the focus for modernism on an international scale during the Post-War period. Many artists had travelled to the city during the Second World War, fleeing in exile from Europe. This led to a substantial pooling of talent and ideas. Influential Europeans such as Piet Mondrian, Josef Albers and Hans Hofmann provided inspiration for American artists whilst in New York, and influenced cultural growth in the United States for many subsequent decades. Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, Barnett Newman, Clyfford Still and Adolph Gottlieb were influential artists of this period. The male dominated environment has been subsequently revised to acknowledge the contributions of female artists such as Lee Krasner, Joan Mitchell, and Louise Bourgeois, amongst others.
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