Original title of the artwork: Design For FUCKEd SYStEm
Ian Burns’ works reimagine the consumer technologies that now define many human activities. In Circle (2016), two inflated latex gloves levitate around a ring of fans programmed to turn on and off in sequence. For Burns, who lives in New York City, the gloves represent a ‘carnivalesque’ stand-in for human beings; and are used in response to both the Australian news about the treatment of asylum seekers, and police violence against African Americans in the USA.
Pencil and ink on drop sheet
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Original title of the artwork: FUCKEd SYStEm Ian Burns’ works reimagine...