Original title of the artwork: Trophy Skin
Ian Burns’ works reimagine the consumer technologies that now define many human activities. In Circle (2016), two inflated latex gloves levitate around a ring of fans programmed to turn on and off in sequence. For Burns, who lives in New York City, the gloves represent a ‘carnivalesque’ stand-in for human beings; and are used in response to both the Australian news about the treatment of asylum seekers, and police violence against African Americans in the USA.
Paint and wood glue
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Original title of the artwork: FUCKEd SYStEm Ian Burns’ works reimagine...
Original title of the artwork: Design For FUCKEd SYStEm Ian Burns’...